Media and Entertainment

Please match in this collective family all specialized Media and Entertainment jobs that cannot be assigned to one of the above-mentioned families. Competencies from the parent family will be shown. A selection of parent family-specific Benchmark Job Matches is available and can be selected manually. The availability of benchmark job matches depends on the survey vendor chosen.

Summary

The Journalism job family is comprising roles dedicated to the gathering, verification, writing, and presentation of news and current affairs content. The range of roles includes, but is not limited to, reporters, editors, correspondents, news producers, and editorial directors. These positions are found in newspapers, television and radio stations, digital news outlets, wire services, and independent media organisations. The overarching objective is to inform the public through accurate, timely, and ethical reporting on events, issues, and developments of public interest, across all media formats and distribution channels.

Typical Activities

• Researching, investigating, and gathering information from sources, interviews, public records, and field reporting to develop accurate and compelling news stories.
• Writing, editing, and producing news content for publication or broadcast across print, digital, radio, and television platforms, adhering to editorial standards and deadlines.
• Verifying facts, cross-checking sources, and ensuring accuracy and fairness in all published content in accordance with professional codes of journalistic ethics.
• Collaborating with editors, producers, and multimedia teams to plan editorial coverage, assign stories, and coordinate publishing schedules.

Synonyms or related job titles

Reporter, Journalist, News Editor, Correspondent, News Producer, Editorial Director, Staff Writer, Sub-Editor.

1. Editorial Planning

Summary

The Editorial Planning job family is comprising roles responsible for the strategic planning, coordination, and scheduling of editorial content across media outlets. The range of roles includes, but is not limited to, editorial planners, commissioning editors, content schedulers, and news desk coordinators. These positions are found in newspapers, magazines, broadcast newsrooms, and digital media organisations. The overarching objective is to ensure that editorial output is well-organised, balanced, timely, and aligned with the publication's editorial strategy, audience interests, and commercial requirements.

Typical Activities

• Developing editorial calendars and content plans that map coverage priorities, seasonal themes, and special editions across all publishing platforms.
• Commissioning and assigning stories to reporters, contributors, and freelance writers, ensuring a balanced mix of content that serves diverse audience segments.
• Coordinating with editorial, design, and production teams to manage workflows, track story progress, and ensure that content is delivered on schedule for publication or broadcast.
• Reviewing and evaluating content performance data, reader feedback, and competitive coverage to inform future editorial planning and improve audience engagement.

Synonyms or related job titles

Editorial Planner, Commissioning Editor, Content Scheduler, News Desk Coordinator, Forward Planning Editor, Editorial Coordinator, Features Planner, Content Strategist.

2. Broadcast Journalism

Summary

The Broadcast Journalism job family is comprising roles focused on gathering, producing, and presenting news and current affairs content for television and radio audiences. The range of roles includes, but is not limited to, broadcast reporters, news anchors, field correspondents, broadcast producers, and bulletin editors. These positions are found in television networks, radio stations, 24-hour news channels, and digital streaming platforms that produce live or recorded news programming. The overarching objective is to deliver accurate, engaging, and timely news coverage to broadcast audiences, maintaining high editorial standards and adapting content for live and recorded formats.

Typical Activities

• Reporting live from the field and presenting news stories on camera or on air, conveying complex information clearly and authoritatively to broadcast audiences.
• Producing news segments, bulletins, and special reports, including scripting, selecting footage, and coordinating with camera crews, editors, and studio teams.
• Conducting on-air interviews with public figures, experts, and eyewitnesses, and managing live discussions and panel debates on current affairs topics.
• Monitoring breaking news developments and coordinating rapid editorial responses, including live coverage, rolling updates, and real-time social media reporting.

Synonyms or related job titles

Broadcast Reporter, News Anchor, Field Correspondent, Broadcast Producer, Bulletin Editor, Television Journalist, Radio Reporter, News Presenter.

3. Digital Journalism

Summary

The Digital Journalism job family is comprising roles focused on creating, publishing, and distributing news and editorial content through digital platforms, including websites, mobile applications, social media, and email newsletters. The range of roles includes, but is not limited to, digital reporters, online editors, social media journalists, multimedia producers, and audience engagement specialists. These positions are found in digital-first news organisations, legacy media with online operations, and independent digital publishers. The overarching objective is to produce timely, accurate, and engaging digital news content optimised for online audiences, leveraging multimedia formats and data-driven distribution strategies.

Typical Activities

• Writing, editing, and publishing news stories, features, and analysis for digital platforms, optimising content for search engines, social sharing, and mobile consumption.
• Producing multimedia content such as video packages, interactive graphics, podcasts, and photo essays to enhance digital storytelling and audience engagement.
• Monitoring web analytics, social media trends, and audience behaviour data to inform editorial decisions, content strategy, and distribution timing.
• Managing audience engagement through social media channels, comment sections, and newsletters, and responding to breaking news in real time across digital platforms.

Synonyms or related job titles

Digital Reporter, Online Editor, Social Media Journalist, Multimedia Producer, Audience Engagement Specialist, Digital News Editor, Web Journalist, Content Producer.

4. Print Journalism

Summary

The Print Journalism job family is comprising roles focused on researching, writing, and editing news and feature content for newspapers, magazines, and other printed publications. The range of roles includes, but is not limited to, print reporters, feature writers, columnists, sub-editors, and investigative journalists working in print media. These positions are found in national and regional newspapers, trade and consumer magazines, and specialist print publications. The overarching objective is to produce well-researched, clearly written, and editorially rigorous content for print audiences, upholding high standards of accuracy, fairness, and journalistic integrity.

Typical Activities

• Researching and writing news stories, features, opinion pieces, and investigative reports for publication in newspapers and magazines, adhering to house style and editorial standards.
• Conducting in-depth interviews with sources, public figures, and subject matter experts to develop detailed and authoritative print journalism.
• Sub-editing and proofreading copy for accuracy, grammar, style, and legal compliance before publication, ensuring that all content meets the publication's quality standards.
• Collaborating with photographers, illustrators, and page designers to develop compelling visual presentations that complement and enhance written content.

Synonyms or related job titles

Print Reporter, Feature Writer, Columnist, Sub-Editor, Investigative Journalist, Staff Reporter, News Writer, Magazine Journalist.

5. Other Journalism Disciplines

Please match in this collective family all specialized Journalism jobs that cannot be assigned to one of the above-mentioned families. Competencies from the parent family will be shown. A selection of parent family-specific Benchmark Job Matches is available and can be selected manually. The availability of benchmark job matches depends on the survey vendor chosen.

Summary

The Media Production job family is comprising roles involved in the technical and creative production of content for film, television, radio, and digital media. The range of roles includes, but is not limited to, producers, directors, camera operators, sound engineers, editors, set designers, and lighting technicians. These positions are found in film studios, television networks, radio stations, post-production houses, and independent production companies. The overarching objective is to manage and execute the creative, technical, and logistical elements of media production, delivering high-quality content from pre-production through to final output.

Typical Activities

• Planning and managing production schedules, budgets, and resources across pre-production, production, and post-production phases for film, television, radio, or digital content.
• Coordinating the work of creative and technical teams, including directors, camera operators, sound engineers, editors, and designers, to ensure cohesive production output.
• Operating and maintaining production equipment and technologies, including cameras, sound recording systems, lighting rigs, and editing software, to meet technical quality standards.
• Overseeing post-production processes such as editing, sound mixing, colour grading, and visual effects to deliver finished content ready for distribution or broadcast.

Synonyms or related job titles

Producer, Production Manager, Production Coordinator, Studio Manager, Post-Production Supervisor, Line Producer, Broadcast Technician, Production Assistant.

1. Audio and Sound Engineering

Summary

The Audio and Sound Engineering job family is comprising roles focused on the recording, mixing, editing, and reproduction of sound for film, television, radio, music, live events, and digital media. The range of roles includes, but is not limited to, sound engineers, audio technicians, recording engineers, sound designers, and foley artists. These positions are found in recording studios, broadcast facilities, film and television production companies, live event venues, and post-production houses. The overarching objective is to capture and produce high-quality audio that enhances the audience experience and meets the creative and technical requirements of each production.

Typical Activities

• Recording, mixing, and mastering audio for film, television, radio, music, and digital media productions, using professional sound equipment and digital audio workstations.
• Designing and creating sound effects, ambient soundscapes, and foley to support storytelling and enhance the audience experience in visual and audio media.
• Setting up, calibrating, and operating sound equipment for studio recordings, live broadcasts, and on-location shoots, ensuring consistent audio quality throughout production.
• Collaborating with directors, producers, and other production team members during post-production to edit dialogue, balance audio levels, and deliver final sound mixes.

Synonyms or related job titles

Sound Engineer, Audio Technician, Recording Engineer, Sound Designer, Foley Artist, Mix Engineer, Dialogue Editor, Boom Operator, Audio Post-Production Engineer, Studio Engineer, Broadcast Sound Technician.

2. Broadcast Presentation

Summary

The Broadcast Presentation job family is comprising roles responsible for the on-air presentation and continuity of television and radio broadcasts. The range of roles includes, but is not limited to, continuity announcers, presentation controllers, channel schedulers, and playout operators. These positions are found in television networks, radio stations, and satellite and streaming broadcast providers. The overarching objective is to ensure seamless on-air output by managing the scheduling, sequencing, and live presentation of broadcast content, maintaining brand consistency and a professional viewer or listener experience.

Typical Activities

• Managing the live playout and continuity of broadcast channels, ensuring smooth transitions between programmes, advertisements, and promotional content.
• Presenting on-air announcements, programme introductions, and channel branding elements in a professional and engaging manner consistent with the broadcaster's identity.
• Monitoring broadcast output in real time, identifying and resolving technical issues, schedule overruns, or last-minute programme changes to maintain uninterrupted service.
• Coordinating with scheduling, traffic, and technical operations teams to prepare and verify daily playout logs, ensuring accuracy and compliance with regulatory requirements.

Synonyms or related job titles

Continuity Announcer, Presentation Controller, Playout Operator, Channel Scheduler, Transmission Controller, Broadcast Presenter, On-Air Coordinator, Programme Continuity Manager.

3. Broadcasting Operations

Summary

The Broadcasting Operations job family is comprising roles responsible for the technical operation and maintenance of broadcast transmission systems and studio infrastructure. The range of roles includes, but is not limited to, broadcast engineers, transmission operators, master control room technicians, and broadcast IT specialists. These positions are found in television and radio stations, satellite uplink facilities, and media technology companies. The overarching objective is to ensure reliable, high-quality broadcast transmission by operating, maintaining, and troubleshooting the technical systems that deliver content to audiences across terrestrial, satellite, cable, and streaming platforms.

Typical Activities

• Operating and monitoring broadcast transmission systems, including master control rooms, satellite uplinks, encoders, and streaming infrastructure, to ensure continuous on-air output.
• Maintaining, testing, and repairing broadcast equipment and studio infrastructure, performing preventive maintenance and responding to technical faults to minimise downtime.
• Configuring and managing broadcast IT systems, automation platforms, and media asset management tools that support content ingest, storage, and playout workflows.
• Coordinating with production, presentation, and engineering teams to support live broadcasts, outside broadcasts, and special events requiring dedicated technical resources.

Synonyms or related job titles

Broadcast Engineer, Transmission Operator, Master Control Technician, Broadcast IT Specialist, Studio Engineer, Playout Engineer, Broadcast Systems Administrator, RF Engineer, Satellite Operations Technician.

4. Camera Operations

Summary

The Camera Operations job family is comprising roles focused on the operation of cameras and related imaging equipment for film, television, live events, and digital content production. The range of roles includes, but is not limited to, camera operators, directors of photography, steadicam operators, drone camera pilots, and camera assistants. These positions are found in film and television production companies, news organisations, live event venues, and independent production teams. The overarching objective is to capture high-quality visual footage that supports the creative vision of the director and meets the technical standards required for broadcast, cinema, or digital distribution.

Typical Activities

• Operating film, television, and digital cameras during studio shoots, on-location filming, live broadcasts, and outside events, following the director's creative instructions.
• Setting up, testing, and maintaining camera equipment, lenses, rigs, and stabilisation systems to ensure readiness and optimal performance throughout each production.
• Collaborating with directors, lighting teams, and other production crew to plan shots, establish framing, and execute camera movements that serve the narrative and visual style.
• Reviewing and evaluating captured footage for technical quality, including focus, exposure, and composition, and making adjustments as needed during production.

Synonyms or related job titles

Camera Operator, Director of Photography, Steadicam Operator, Drone Camera Pilot, Camera Assistant, Cinematographer, Videographer, Studio Camera Operator.

5. Costume and Wardrobe

Summary

The Costume and Wardrobe job family is comprising roles responsible for the design, sourcing, creation, and management of costumes and wardrobe for film, television, theatre, and live event productions. The range of roles includes, but is not limited to, costume designers, wardrobe supervisors, costume makers, dressers, and wardrobe assistants. These positions are found in film studios, television production companies, theatre companies, and costume hire houses. The overarching objective is to create and maintain costumes that authentically support character portrayal, align with the director's creative vision, and meet the practical demands of each production.

Typical Activities

• Designing costumes by researching historical periods, cultural contexts, and character requirements, and creating sketches, mood boards, and fabric selections for approval by the director.
• Sourcing, hiring, purchasing, and constructing costumes, accessories, and related wardrobe items, working within agreed budgets and production timelines.
• Managing wardrobe continuity throughout filming or performance schedules, ensuring that costumes remain consistent across scenes, takes, and rehearsals.
• Coordinating fittings, alterations, repairs, and cleaning of costumes, and supervising the storage, transport, and return of all wardrobe items at the conclusion of a production.

Synonyms or related job titles

Costume Designer, Wardrobe Supervisor, Costume Maker, Dresser, Wardrobe Assistant, Costume Coordinator, Wardrobe Manager, Costume Standby.

6. Film and Video Editing

Summary

The Film and Video Editing job family is comprising roles focused on assembling, cutting, and refining recorded footage into finished content for film, television, online, and other media platforms. The range of roles includes, but is not limited to, film editors, video editors, assistant editors, colourists, and online editors. These positions are found in post-production houses, film studios, television networks, digital media companies, and independent production teams. The overarching objective is to shape raw footage into coherent, compelling, and technically polished narratives that realise the director's creative vision and meet distribution standards.

Typical Activities

• Assembling and editing raw footage into structured sequences, selecting the best takes, and establishing pacing, rhythm, and narrative flow in collaboration with the director.
• Operating professional editing software and systems to cut, trim, re-order, and refine audio and visual material for film, broadcast, and digital delivery formats.
• Performing colour grading, audio synchronisation, and conforming tasks to ensure the final output meets broadcast or cinema technical specifications.
• Managing media assets, project files, and version control throughout the editing process, and preparing deliverables in the required formats for distribution or archiving.

Synonyms or related job titles

Film Editor, Video Editor, Assistant Editor, Colourist, Online Editor, Offline Editor, Post-Production Editor, Editing Technician, Conforming Editor, Avid Editor, NLE Operator.

7. Lighting

Summary

The Lighting job family is comprising roles responsible for the design, installation, operation, and control of lighting systems for film, television, theatre, live events, and photographic productions. The range of roles includes, but is not limited to, lighting designers, lighting technicians, gaffers, electricians, and lighting console operators. These positions are found in film studios, television networks, theatre companies, live event venues, and hire companies. The overarching objective is to create lighting environments that support the visual narrative, enhance mood and atmosphere, and meet the technical requirements of each production.

Typical Activities

• Designing lighting plans by interpreting scripts, storyboards, and creative briefs, and selecting appropriate fixtures, colours, and intensities to achieve the desired visual effect.
• Installing, rigging, focusing, and operating lighting equipment on set, on location, or in studio environments, ensuring safe and efficient setup in accordance with production schedules.
• Programming and operating lighting control consoles and dimming systems during rehearsals, recordings, and live performances, making real-time adjustments as directed.
• Collaborating with directors, directors of photography, and set designers to integrate lighting with camera work, set design, and visual effects for a cohesive production look.

Synonyms or related job titles

Lighting Designer, Gaffer, Lighting Technician, Best Boy, Electrician (Production), Lighting Console Operator, Lighting Director, Lighting Programmer.

8. Make-Up and Hairdressing

Summary

The Make-Up and Hairdressing job family is comprising roles responsible for designing and applying make-up, prosthetics, and hairstyles for performers in film, television, theatre, and live event productions. The range of roles includes, but is not limited to, make-up artists, hair stylists, prosthetic make-up designers, and make-up and hair supervisors. These positions are found in film studios, television production companies, theatre companies, and fashion or editorial production environments. The overarching objective is to enhance or transform performers' appearances to support character portrayal, maintain visual continuity, and fulfil the creative requirements of each production.

Typical Activities

• Designing and applying make-up, hairstyles, and prosthetics for performers based on character briefs, period settings, and the director's creative vision.
• Maintaining continuity of make-up and hair across scenes, takes, and performance schedules, using reference photographs and continuity notes to ensure consistency.
• Sourcing, preparing, and managing supplies, including cosmetics, wigs, hairpieces, prosthetic materials, and specialist equipment, within agreed production budgets.
• Collaborating with costume designers, lighting teams, and directors to ensure that make-up and hair complement wardrobe choices, lighting conditions, and overall production design.

Synonyms or related job titles

Make-Up Artist, Hair Stylist, Prosthetic Make-Up Designer, Make-Up Supervisor, Hair and Make-Up Designer, Wig Maker, Special Effects Make-Up Artist, Hair Department Head.

9. Media Programming and Scheduling

Summary

The Media Programming and Scheduling job family is comprising roles responsible for planning, organising, and managing the programming and scheduling of media content across broadcast and digital channels. The range of roles includes, but is not limited to, programme schedulers, acquisitions managers, programming directors, and traffic coordinators. These positions are found in television networks, radio stations, streaming platforms, and media distribution companies. The overarching objective is to optimise programme scheduling to maximise audience reach, engagement, and commercial revenue by selecting, sequencing, and timing content to meet audience preferences, contractual obligations, and regulatory requirements.

Typical Activities

• Developing and managing programme schedules for broadcast and digital channels, balancing audience demand, content availability, contractual obligations, and commercial requirements.
• Researching and analysing audience demographics, viewing or listening habits, and ratings data to inform programming decisions and schedule optimisation.
• Selecting, acquiring, and negotiating rights for programming content that aligns with channel strategy, audience profiles, and brand positioning.
• Coordinating with production, sales, and compliance teams to ensure schedules are accurate, promotions are correctly placed, and all regulatory and rights-related conditions are met.

Synonyms or related job titles

Programme Scheduler, Acquisitions Manager, Programming Director, Traffic Coordinator, Channel Planner, Media Programmer, Schedule Coordinator, Broadcast Planner.

10. Various Creative Arts Disciplines

Summary

The Various Creative Arts Disciplines job family is comprising roles that apply creative and artistic skills across a range of media production contexts that do not fall neatly within a single specialist category. The range of roles includes, but is not limited to, graphic designers, illustrators, animators, storyboard artists, and title designers working in media production. These positions are found in production companies, animation studios, post-production facilities, and creative agencies. The overarching objective is to contribute specialist artistic and visual skills that support the creative quality and visual identity of media content across film, television, digital, and print formats.

Typical Activities

• Creating visual assets such as graphics, illustrations, storyboards, title sequences, and animated elements for use in film, television, and digital media productions.
• Developing and refining creative concepts in collaboration with directors, producers, and art departments, translating narrative requirements into compelling visual designs.
• Producing artwork and visual material using traditional techniques and digital tools, ensuring output meets the technical specifications and style requirements of each production.
• Managing creative workflows, asset libraries, and file formats to support efficient production pipelines and enable timely delivery of visual content.

Synonyms or related job titles

Graphic Designer (Media), Illustrator, Animator, Storyboard Artist, Title Designer, Motion Graphics Artist, Visual Development Artist, Concept Artist.

11. Various Performing Arts Disciplines

Summary

The Various Performing Arts Disciplines job family is comprising roles that involve live or recorded performance for film, television, radio, theatre, and digital media. The range of roles includes, but is not limited to, actors, voice-over artists, dancers, choreographers, stunt performers, and musical performers working within media production contexts. These positions are found in film studios, television networks, theatre companies, production houses, and talent agencies. The overarching objective is to deliver skilled, engaging performances that bring scripts and creative concepts to life, contributing to the artistic quality and audience impact of media productions.

Typical Activities

• Performing in film, television, radio, theatre, and digital media productions, interpreting scripts and direction to deliver compelling and authentic characterisations.
• Preparing for roles through script analysis, rehearsal, physical training, voice coaching, and research into characters, settings, and subject matter.
• Collaborating with directors, choreographers, and other performers during rehearsals and recordings to develop ensemble cohesion and realise the creative vision of each production.
• Participating in auditions, castings, and screen tests, and working with agents and casting directors to secure performance opportunities.

Synonyms or related job titles

Actor, Voice-Over Artist, Dancer, Choreographer, Stunt Performer, Musical Performer, Extra, Stand-In.

12. Set Design

Summary

The Set Design job family is comprising roles responsible for the conceptualisation, design, and construction of physical and virtual sets for film, television, theatre, and live event productions. The range of roles includes, but is not limited to, set designers, production designers, art directors, scenic artists, and set builders. These positions are found in film studios, television production companies, theatre companies, and event production organisations. The overarching objective is to create immersive and visually compelling environments that support storytelling, reflect the director's creative vision, and function effectively within the practical constraints of each production.

Typical Activities

• Designing sets by interpreting scripts, creative briefs, and directorial concepts, producing scale drawings, models, and digital renderings for review and approval.
• Sourcing and selecting materials, furnishings, props, and finishes, and overseeing the construction, painting, and dressing of sets within agreed budgets and timelines.
• Collaborating with directors, costume designers, lighting teams, and camera operators to ensure that set design integrates seamlessly with other visual and technical elements of the production.
• Managing the installation, modification, and strike of sets across studio and location environments, ensuring compliance with health and safety regulations and production schedules.

Synonyms or related job titles

Set Designer, Production Designer, Art Director, Scenic Artist, Set Builder, Set Decorator, Props Master, Scenic Constructor.

13. Special Effects

Summary

The Special Effects job family is comprising roles focused on creating physical and mechanical effects for film, television, theatre, and live event productions. The range of roles includes, but is not limited to, special effects supervisors, pyrotechnicians, mechanical effects technicians, and physical effects artists. These positions are found in film and television production companies, special effects studios, and live event production firms. The overarching objective is to design and execute safe, realistic, and visually impactful practical effects, such as explosions, weather simulations, mechanical rigs, and atmospheric effects, that enhance storytelling and audience engagement.

Typical Activities

• Designing and planning practical special effects sequences by interpreting scripts and collaborating with directors and production designers to determine the creative and technical approach.
• Constructing, testing, and operating mechanical rigs, pyrotechnic devices, atmospheric equipment, and other special effects apparatus on set or on location.
• Ensuring the safety of cast, crew, and equipment during all special effects work by conducting thorough risk assessments and adhering to industry safety standards and regulations.
• Collaborating with visual effects, camera, and post-production teams to integrate practical effects with digital elements and ensure a seamless final result.

Synonyms or related job titles

Special Effects Supervisor, Pyrotechnician, Mechanical Effects Technician, Physical Effects Artist, SFX Coordinator, Special Effects Designer, Practical Effects Specialist, Armourer.

14. Video Engineering

Summary

The Video Engineering job family is comprising roles focused on the technical operation, maintenance, and development of video systems and infrastructure used in broadcast and media production environments. The range of roles includes, but is not limited to, video engineers, vision mixers, broadcast systems engineers, and video maintenance technicians. These positions are found in television studios, outside broadcast units, post-production facilities, and live event production companies. The overarching objective is to ensure the reliable operation of video systems that capture, process, and deliver high-quality visual content, supporting both live and recorded production workflows.

Typical Activities

• Operating and maintaining video production equipment, including cameras, vision mixers, routers, monitors, and recording systems, to ensure consistent technical quality during productions.
• Configuring, testing, and troubleshooting video signal chains, encoding systems, and streaming infrastructure for live broadcasts, studio recordings, and outside broadcast events.
• Collaborating with production, lighting, and audio teams to align video technical standards with overall production requirements and creative objectives.
• Evaluating and implementing new video technologies, formats, and workflows to improve production efficiency, image quality, and delivery capabilities.

Synonyms or related job titles

Video Engineer, Vision Mixer, Broadcast Systems Engineer, Video Maintenance Technician, Video Operator, Shader, Video Playback Operator.

15. Other Media Production Disciplines

Please match in this collective family all specialized Media Production jobs that cannot be assigned to one of the above-mentioned families. Competencies from the parent family will be shown. A selection of parent family-specific Benchmark Job Matches is available and can be selected manually. The availability of benchmark job matches depends on the survey vendor chosen.

Summary

The Publishing job family is comprising roles involved in the acquisition, editing, design, production, and distribution of written and visual content in print and digital formats. The range of roles includes, but is not limited to, publishers, editors, editorial directors, production managers, and rights and licensing specialists. These positions are found in book publishers, magazine publishers, academic presses, digital publishing platforms, and media organisations. The overarching objective is to identify, develop, produce, and bring to market high-quality content that engages readers, serves the organisation's editorial and commercial goals, and contributes to cultural and intellectual life.

Typical Activities

• Acquiring and commissioning manuscripts, articles, and other content by evaluating proposals, negotiating author contracts, and managing editorial pipelines.
• Editing and preparing content for publication, including developmental editing, copyediting, and proofreading, to ensure quality, consistency, and adherence to house style.
• Managing the production process for print and digital publications, coordinating with typesetters, designers, printers, and digital platform teams to deliver finished products on schedule.
• Developing and executing marketing, distribution, and rights licensing strategies to maximise the commercial reach and revenue of published content.

Synonyms or related job titles

Publisher, Editor, Editorial Director, Production Manager, Rights and Licensing Specialist, Commissioning Editor, Managing Editor, Publishing Coordinator.

1. Digital Publishing

Summary

The Digital Publishing job family is comprising roles focused on the production, management, and distribution of content through digital formats and platforms, including e-books, online magazines, websites, and mobile applications. The range of roles includes, but is not limited to, digital editors, digital production managers, e-book producers, and content management specialists. These positions are found in book and magazine publishers, digital-first media companies, academic publishers, and corporate communications teams. The overarching objective is to deliver high-quality digital content that is accessible, engaging, and optimised for the platforms and devices through which readers consume it.

Typical Activities

• Producing and managing digital content, including e-books, online articles, interactive publications, and multimedia features, using content management systems and digital publishing tools.
• Optimising content for digital platforms by applying best practices in search engine optimisation, metadata management, responsive design, and accessibility standards.
• Coordinating with editorial, design, and technology teams to develop and maintain digital publishing workflows that support efficient production and timely release schedules.
• Analysing digital content performance through web analytics, download data, and reader engagement metrics to inform editorial and commercial decisions.

Synonyms or related job titles

Digital Editor, Digital Production Manager, E-Book Producer, Content Management Specialist, Digital Publishing Coordinator, Online Editor, Digital Content Producer, Web Content Manager.

2. Print Publishing

Summary

The Print Publishing job family is comprising roles focused on the production and distribution of content in physical printed formats, including books, newspapers, magazines, journals, and catalogues. The range of roles includes, but is not limited to, print production managers, typographers, prepress technicians, print buyers, and production editors. These positions are found in book publishers, newspaper and magazine houses, academic presses, and commercial printing companies. The overarching objective is to deliver high-quality printed publications by managing the technical and logistical processes of typesetting, layout, proofing, printing, binding, and physical distribution.

Typical Activities

• Managing the print production workflow from manuscript handover through typesetting, layout, proofing, and printing to final binding and delivery, ensuring adherence to quality standards and deadlines.
• Coordinating with typesetters, designers, prepress technicians, and print suppliers to prepare files, approve proofs, and resolve technical issues before production runs.
• Sourcing and managing relationships with paper suppliers, printers, binders, and fulfilment partners, negotiating costs and service levels to deliver within budget.
• Reviewing and approving colour proofs, print samples, and bound copies to ensure the finished product meets design specifications and editorial expectations.

Synonyms or related job titles

Print Production Manager, Typographer, Prepress Technician, Print Buyer, Production Editor, Print Coordinator, Reprographics Specialist, Binding Specialist.

Summary

The Video Games job family is comprising roles involved in the design, development, production, testing, marketing, and distribution of video games across console, PC, mobile, and emerging platforms. The range of roles includes, but is not limited to, game designers, game programmers, game artists, producers, quality assurance testers, and game publishers. These positions are found in video game studios, independent development teams, publisher organisations, and platform companies. The overarching objective is to create and deliver engaging, high-quality interactive entertainment experiences that attract and retain players, generate commercial value, and advance the art and technology of game development.

Typical Activities

• Designing core game mechanics, systems, narratives, and player experiences that form the creative foundation of video game projects.
• Developing game software, engines, tools, and technical systems using programming languages and development frameworks suited to the target platform.
• Creating visual and audio assets, including character models, environments, animations, sound effects, and music, that bring game worlds to life.
• Managing the production lifecycle of game projects, including planning, scheduling, budgeting, and coordinating cross-disciplinary teams from concept through to release and post-launch support.
• Testing, identifying, and documenting defects and performance issues to ensure that games meet quality standards before and after release.

Synonyms or related job titles

Game Designer, Game Developer, Game Programmer, Game Artist, Game Producer, QA Tester, Game Director, Game Publisher.

1. Video Game Art

Summary

The Video Game Art job family is comprising roles responsible for creating the visual elements of video games, including characters, environments, objects, textures, animations, and user interface graphics. The range of roles includes, but is not limited to, concept artists, character artists, environment artists, texture artists, animators, and technical artists. These positions are found in game studios, independent development teams, and outsourced art production companies. The overarching objective is to produce visually compelling and technically optimised art assets that define the game's aesthetic identity, support gameplay, and deliver an immersive player experience.

Typical Activities

• Creating concept art, character designs, environment layouts, and visual style guides that establish the artistic direction and visual identity of game projects.
• Modelling, texturing, and animating three-dimensional assets, including characters, props, and environments, using industry-standard digital art and animation tools.
• Developing user interface graphics, heads-up display elements, menus, and iconography that are visually clear, consistent, and aligned with the game's overall art style.
• Optimising art assets for target platforms by managing polygon counts, texture resolutions, and file sizes to ensure stable performance without compromising visual quality.

Synonyms or related job titles

Concept Artist, Character Artist, Environment Artist, Texture Artist, Animator (Games), Technical Artist, UI Artist, 3D Modeller, Visual Development Artist, Prop Artist, Lighting Artist, VFX Artist, Pixel Artist.

2. Video Game Design

Summary

The Video Game Design job family is comprising roles focused on conceiving, defining, and documenting the interactive systems, mechanics, narratives, and player experiences that form the core of a video game. The range of roles includes, but is not limited to, game designers, systems designers, narrative designers, combat designers, and economy designers. These positions are found in game studios, independent development teams, and publishing organisations. The overarching objective is to create engaging, balanced, and innovative gameplay experiences that captivate players, support the game's creative vision, and adapt to player feedback and market expectations.

Typical Activities

• Designing core gameplay mechanics, rule systems, progression structures, and reward loops that define the interactive experience and drive player engagement.
• Creating detailed game design documentation, including design briefs, feature specifications, flowcharts, and wireframes, to communicate design intent to development teams.
• Developing narrative elements such as storylines, dialogue, world-building, and character arcs that enrich the player experience and complement gameplay systems.
• Prototyping and playtesting game features iteratively, gathering player feedback and usage data to refine designs and balance difficulty, pacing, and fun.

Synonyms or related job titles

Game Designer, Systems Designer, Narrative Designer, Combat Designer, Economy Designer, Level Designer (Gameplay), UX Designer (Games), Content Designer.

3. Video Game Programming

Summary

The Video Game Programming job family is comprising roles focused on writing, maintaining, and optimising the software code that drives video game functionality across all platforms. The range of roles includes, but is not limited to, gameplay programmers, engine programmers, tools programmers, AI programmers, network programmers, and graphics programmers. These positions are found in game studios, engine and middleware companies, and independent development teams. The overarching objective is to build robust, performant, and scalable game software that brings design concepts to life, powers interactive systems, and delivers a smooth and responsive player experience.

Typical Activities

• Developing and maintaining game code in languages such as C++, C#, and proprietary scripting languages, implementing gameplay systems, physics, AI, and rendering features.
• Building and optimising game engine components, tools, and pipelines that support content creation, debugging, and cross-platform deployment.
• Profiling and optimising game performance, including frame rate, memory usage, load times, and network latency, to meet technical requirements on target hardware.
• Collaborating with designers, artists, and audio teams to integrate assets and mechanics, and resolving technical challenges that arise during development and testing.

Synonyms or related job titles

Gameplay Programmer, Engine Programmer, Tools Programmer, AI Programmer, Network Programmer, Graphics Programmer, Technical Director (Games), Game Developer, Rendering Engineer, Physics Programmer, UI Programmer.

4. Video Game Level Design

Summary

The Video Game Level Design job family is comprising roles dedicated to designing, building, and refining the playable spaces and environments within video games. The range of roles includes, but is not limited to, level designers, world builders, environment layout artists, and mission designers. These positions are found in game studios and independent development teams across all major gaming platforms. The overarching objective is to create compelling, well-paced, and visually engaging game levels and environments that guide player navigation, support gameplay mechanics, and deliver memorable interactive experiences.

Typical Activities

• Designing and building game levels, maps, and playable environments using level editors and proprietary game engine tools, following established design frameworks and artistic direction.
• Scripting in-game events, triggers, enemy placement, and environmental puzzles to create varied and engaging gameplay encounters within each level.
• Playtesting levels extensively to evaluate flow, pacing, difficulty balance, and visual readability, and iterating designs based on feedback from internal teams and external testers.
• Collaborating with game designers, artists, programmers, and audio teams to integrate level layouts with narrative events, art assets, lighting, and sound design.

Synonyms or related job titles

Level Designer, World Builder, Environment Layout Artist, Mission Designer, Map Designer, Encounter Designer, Open World Designer, Multiplayer Level Designer.

5. Video Game Localization

Summary

The Video Game Localization job family is comprising roles focused on adapting video game content for different languages, regions, and cultures. The range of roles includes, but is not limited to, localization managers, game translators, localization testers, cultural consultants, and voice-over coordinators. These positions are found in game studios, localization agencies, and publisher organisations operating in international markets. The overarching objective is to ensure that localised versions of games deliver an authentic, culturally appropriate, and enjoyable experience for players in each target market, covering text, audio, graphics, and gameplay adjustments as required.

Typical Activities

• Translating and adapting in-game text, dialogue, menus, tutorials, and marketing materials into target languages, preserving tone, humour, and meaning while respecting cultural sensitivities.
• Coordinating the localization process across multiple languages and regions, managing translation vendors, schedules, and budgets to deliver localised builds on time.
• Conducting localization testing to verify the accuracy, completeness, and contextual appropriateness of translated content, and identifying text overflow, encoding, or display issues.
• Advising development teams on cultural considerations that may affect game content, imagery, or mechanics in specific markets, and recommending adaptations to ensure compliance with local regulations and audience expectations.

Synonyms or related job titles

Localization Manager, Game Translator, Localization Tester, Cultural Consultant, Voice-Over Coordinator, Localization Producer, Localization Engineer, Game Localization Specialist.

6. Video Game Sound Engineering

Summary

The Video Game Sound Engineering job family is a sub-family within Video Games, comprising roles focused on creating, recording, editing, and implementing audio content for video games, including sound effects, music, dialogue, and ambient soundscapes. The range of roles includes, but is not limited to, game audio designers, sound engineers (games), music composers (games), dialogue editors, and audio implementation specialists. These positions are found in game studios, audio production houses, and freelance production environments. The overarching objective is to deliver immersive, responsive, and technically optimised audio experiences that enhance gameplay, support narrative, and contribute to the overall emotional impact of a game.

Typical Activities

• Designing and creating original sound effects, ambient audio, and musical compositions that enhance gameplay, reinforce narrative, and define the sonic identity of each game.
• Recording, editing, and processing audio assets using digital audio workstations and specialist game audio tools, ensuring quality and consistency across all sound elements.
• Implementing audio content within game engines using middleware such as Wwise or FMOD, scripting dynamic audio behaviour that responds to player actions and game states.
• Collaborating with designers, programmers, and artists to integrate audio seamlessly with gameplay mechanics, visual effects, and user interface interactions.

Synonyms or related job titles

Game Audio Designer, Sound Engineer (Games), Music Composer (Games), Dialogue Editor, Audio Implementation Specialist, Audio Director (Games), Sound Effects Designer, Game Audio Programmer.

7. Video Game Testing

Summary

The Video Game Testing job family is comprising roles responsible for evaluating video game builds to identify defects, verify functionality, and ensure that the final product meets quality standards and player expectations. The range of roles includes, but is not limited to, quality assurance testers, QA leads, test analysts, compatibility testers, and localization testers. These positions are found in game studios, dedicated QA service providers, and publisher quality assurance departments. The overarching objective is to deliver a polished, stable, and enjoyable game experience by systematically testing all aspects of gameplay, performance, and compliance before and after release.

Typical Activities

• Executing test plans, test cases, and exploratory testing sessions across gameplay, performance, progression, and user interface areas to identify defects, inconsistencies, and regression issues.
• Documenting and reporting bugs with detailed reproduction steps, screenshots, and video captures using defect tracking systems, and verifying that resolved issues have been correctly fixed.
• Testing game builds across multiple platforms, hardware configurations, and network conditions to assess compatibility, performance, and stability under varied operating environments.
• Collaborating with developers, designers, and production teams to communicate quality status, prioritise critical issues, and support decision-making around release readiness.

Synonyms or related job titles

QA Tester, QA Lead, Test Analyst, Compatibility Tester, Localization Tester, QA Technician, Playtest Coordinator, Certification Tester.

8. Video Game Production

Summary

The Video Game Production job family is comprising roles responsible for the planning, coordination, and management of video game development projects from concept through to release and post-launch support. The range of roles includes, but is not limited to, game producers, associate producers, production coordinators, and development directors. These positions are found in game studios, publishing organisations, and independent development teams. The overarching objective is to deliver game projects on time, within budget, and to the required quality standard by managing schedules, resources, risks, and cross-disciplinary team collaboration throughout the development lifecycle.

Typical Activities

• Planning and managing game development schedules, milestones, and deliverables, coordinating the work of design, art, programming, audio, and quality assurance teams.
• Monitoring project budgets, resource allocation, and risk registers, and escalating issues to stakeholders with proposed solutions to keep production on track.
• Facilitating communication and collaboration across disciplines and between internal teams and external partners, including publishers, platform holders, and outsourcing studios.
• Overseeing the submission and certification process for target platforms, managing post-launch updates, patches, and downloadable content releases.

Synonyms or related job titles

Game Producer, Associate Producer, Production Coordinator, Development Director, Executive Producer, Production Manager (Games), Project Manager (Games), Live Operations Producer.

9. Video Game Publishing

Summary

The Video Game Publishing job family is comprising roles involved in the funding, marketing, distribution, and commercial management of video game titles. The range of roles includes, but is not limited to, publishing managers, product managers, business development managers, marketing managers, and distribution specialists within the gaming sector. These positions are found in game publishing companies, platform holders, and studios with self-publishing capabilities. The overarching objective is to maximise the commercial success of game titles by managing launch strategies, marketing campaigns, distribution channels, and ongoing player engagement, while supporting development studios with funding, market intelligence, and platform relationships.

Typical Activities

• Developing and executing go-to-market strategies for game titles, including positioning, pricing, release timing, and platform selection, to maximise commercial performance.
• Managing marketing campaigns for game launches and live operations, coordinating advertising, public relations, influencer partnerships, and community engagement activities.
• Overseeing the distribution of game titles across physical retail, digital storefronts, and subscription services, negotiating placement and promotional support with platform holders and retail partners.
• Analysing sales data, player engagement metrics, and market trends to inform publishing decisions, forecast revenue, and identify opportunities for catalogue titles and new releases.

Synonyms or related job titles

Publishing Manager, Product Manager (Games), Business Development Manager (Games), Game Marketing Manager, Distribution Specialist, Publishing Director, Franchise Manager, Live Service Manager.